Music for Film

I’m a music producer with over 15 years of experience releasing electronic music under my own name and various aliases, exploring a wide range of styles.

My background in sound design naturally led me to composing for film, where I merge production expertise with a cinematic and emotional approach to sound.

Over the past five years, I’ve been creating original scores that fuse texture, atmosphere, and narrative — music crafted not just to accompany a scene, but to heighten its emotional resonance.

Music for Fondazione Accorsi - Ometto - Museo di Arti Decorative

Music for Craig McNulty film: You are so Close

Music Composition Showreel

Music for Vasco Viana film: Fantasma

Music for Gloria Sulli Sculpting Wind Exhibition

I was commissioned by the Museo Accorsi-Ometto in Turin to compose a 10-minute ambient piece accompanying a video for the Lucio Fontana art exhibition. Fontana is one of the most notable Italian artists of the Spazialista Movement. The exhibition is currently running in Turin from October 2025 to March 2026.

More info about the exhibition can be seen here

I worked with director Craig McNulty on his art film You Are So Close, for which I was responsible for composing the music.

I created a haunting electronic piece in collaboration with soprano Minyoung Park, who contributed her vocals. The film won Best Art Film at the 2024 Experimental Film Festival.

I composed an ambient piece for Vasco Viana’s film Phantasma: the story of a young mother’s ghost, lost in the human world, who embarks on a journey to find redemption. Along the way, she relives memories she once shared with her son.

For this film, I worked on both the sound design and the music. Since it was shot entirely without sound, I created everything from scratch.

I composed the score for Ania Johnston’s film Fatherland. The film was shot in Poland and edited in the US, while I handled both the sound design and music composition from my studio in Prague.

The film also won Best Student Film at the 2025 LA Independent Women Film Awards.

composed an audio soundscape for Gloria Sulli “Shaping the Wind” exhibition, which took take place on October 15 2024 at MPavilion Parkville in Melbourne

The soundscape was played during the exhibition while the wind sculpture were dancing in the sky

I composed the official soundtrack for this student film back in 2022, it was also my gratuation film at Goldsmith University of London, which i have done sound design as well

Another brilliant collaboration between me and Vasco Viana, this film is currently reworked into a portoguese series

Music for Elliot Gaynon film: Lone Wolves